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New York City Ballet - Russian Roots

abi stafford | amar ramasar | andantino | andrew veyette | ballet | dance | gonzalo garcia | jerome robbins | joaquin de luz | kaitlyn gilliland | kathryn morgan | les noces | megan fairchild | music | new york city ballet | opus 19/the dreamer | photography | piano pieces | prokofiev | rachel rutherford | rebecca krohn | reviews | russia | russian roots | sara mearns | stephen hanna | stravinsky | tchaikovsky | wendy whelan

Wendy Whelan in costume for Opus 19/The Dreamer photo by Josef Astor, Dance Magazine, March 2003 Wednesday evening’s program at the New York State Theater was a quadruple bill of works by Jerome Robbins with music by three Russian composers. With the exception of the not-so-memorable Andantino, the opening duet that was performed delicately by Megan [...]

New York City Ballet - Seasons

antonio carmena | ashley bouder | balanchine | ballet | dance | daniel ulbricht | giuseppe verdi | jared angle | jerome robbins | kaitlyn gilliland | megan fairchild | music | new york city ballet | nikolaj hubbe | noh | reviews | sara mearns | sean suozzi | shakuhachi | the four seasons | tyler angle | watermill

New York City Ballet’s “Seasons” program presented two distinctly different works that exemplified the choreographic breadth of Jerome Robbins. The dark, meditative Watermill uses the seasons to convey the passing of time and the different stages in a man’s life, while The Four Seasons is a spirited personification of winter, spring, summer, and fall. Before seeing [...]

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