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damian woetzel

New York City Ballet: Damian Woetzel’s Farewell

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A curtain call for Damian Woetzel (click to enlarge) Photo by Evan - Please do not use without permission. Watching one of my favorite ballet dancers - who I’ve watched for about fifteen years - dance his final performance and take his final bow at the New York State Theater last night was not easy. Writing about [...]

New York City Ballet - Definitive Chopin

american ballet theatre | andrew veyette | ballet | chopin | damian woetzel | dance | dances at a gathering | definitive chopin | gonzalo garcia | jared angle | jerome robbins | julie kent | music | new york city | new york city ballet | nycb | other dances | reviews | sara mearns | sterling hyltin | the concert

I’ll be the first to admit that I love Chopin’s piano pieces. They are breezy, thoughtful, and at times dramatic and intense. With such beautiful music, it is easy to let the mind wander (as mine did several times throughout the performance), to lose yourself in listening to the music, which is exactly what Jerome [...]

New York City Ballet- French Cuisine

afternoon of a faun | antique epigraphs | damian woetzel | french cuisine | in g major | janie taylor | jerome robbins | magnolia bakery | new york city ballet | paul kolnik | teresa reichlen | uncategorized | wendy whelan

Teresa Reichlen in Antique Epigraphs Admittedly, ‘French Cuisine’ was not one of the programs I was looking forward to most this season at New York City Ballet. I’m partial to Balanchine over Robbins, Tchaikovsky over Debussy, and plotless ballets over princes and princesses. But Thursday’s night’s program certainly exceeded my expectations and I particularly relished Antique [...]

New York City Ballet - World Tour

adam hendrickson | albert evans | alexei ratmansky | amar ramasar | an american in paris | balanchine | ballet | bugaku | christopher wheeldon | damian woetzel | dance | darci kistler | galina solovyena | george gershwin | jared angle | john adams | jonathan stafford | leonid desyatnikov | mark stanley | max van der sterre | music | new york city ballet | nixon in china | nycb | peter martins | photography | rachel rutherford | rebecca krohn | reviews | russian folklore | russian seasons | sara mearns | sean suozzi | sibelius | teresa reichlen | the chairman dances | tiler peck | valse triste | wendy whelan | world tour

Albert Evans, Rebecca Krohn, Jonathan Stafford, and Rachel Rutherford in Russian Seasons (photo by John Ross) Every season, the artistic staff at New York City Ballet has the daunting task of creating a variety of programs that will attract audiences, show variety and breadth - choreographically, musically, and thematically - and will offer the dancers room to [...]

New York City Ballet - Symphonic Balanchine

abi stafford | adam hendrickson | adrian danchig-waring | albert evans | allegra kent | ballet | ballet review | bizet | charles askegard | damian woetzel | dance | daniel ulbricht | george balanchine | hershy kay | jonathan stafford | kathryn morgan | music | new york city | new york city ballet | nycb | peter martins | reviews | sara mearns | savannah lowery | sterling hyltin | stravinsky | symphony in c | symphony in three movements | teresa reichlen | wendy whelan | western symphony

There was definitely a beginning-of-the-season buzz in the air at the NY State Theater on Wednesday night. I heard plenty of snippets of gossip about dancers, and just as many opinions about their dancing. But the mood shifted ever so subtly when Peter Martins came on stage before the performance began. He [...]

Four by Four - New York City Ballet

albert evans | arvo part | ashley bouder | balanchine | ballet | benjamin millepied | christopher wheeldon | damian woetzel | dance | daniel ulbricht | david prottas | jerome robbins | kathryn morgan | leonard bernstein | merrill ashley | music | new york city ballet | reviews | tyler angle | wendy whelan

Last night I attended New York City Ballet’s “Four by Four” program, which presents pieces from four choreographers inspired by four different composers. Reflecting on the program, I realized how diverse the ballets were, not only because of the different “voices” in each ballet, but also because of the varied settings - ranging from [...]

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