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Morphoses Multimedia

adrian danchig-waring | andreas heise | annabelle lopez ochoa | ballet | christine thomassen | christopher wheeldon | city center | contemporary ballet | dance | dance photographs | dance videos | drew jacoby | edwaard liang | frederick ashton | gertrude stein | international | lightfoot leon | maria kowroski | monotones ii | morphoses | morphoses 2008 | morphoses at city center | morphoses reviews | morphoses/the wheeldon company | new york city | one | paul lightfoot | photography | rubinald pronk | shutters shut | sol leon | tyler angle | videos | wendy whelan | yaniv schulman

Rubinald Pronk, Maria Kowroski, and Edwaard Liang rehearsing Monotones II, photograph by Yaniv Schulman Morphoses/The Wheeldon Company concluded its second season at City Center on Sunday afternoon. I wrote about both programs here and here, but decided to post some more rehearsal photos from Monotones II and two surprisingly good videos of Annabelle Lopez Ochoa’s [...]

Morphoses at City Center: Program 2

adrian danchig-waring | amitava sarkar | andreas heise | annabelle lopez ochoa | ballet | christine thomassen | christopher wheeldon | city center | commedia | contemporary ballet | craig hall | criticism | dance | dance writing | drew jacoby | erik satie | erin baiano | fools paradise | frederick ashton | gertrude stein | international | jacob ter vedhuis | joby talbot | lightfoot leon | lynn wallis | monotones ii | morphoses | morphoses 2008 | morphoses/the wheeldon company | music | new york city | new york city ballet | one | paul lightfoot | photography | poetry | reviews | rubinald pronk | shutters shut | sol leon | stravinsky | the dying swan | tyler angle | wendy whelan | yaniv schulman

Adrian Danchig-Waring, Wendy Whelan, and Tyler Angle rehearsing Monotones II photo by Yaniv Schulman The second Morphoses program was not only more varied than the first, but more complete as a whole. Three short pieces were bookended by Wheeldon works, with the new Commedia opening the program and Fools’ Paradise closing it. I wrote at length about [...]

New York City Ballet: Gala at SPAC

adrian danchig-waring | amar ramasar | andrew veyette | ashley bouder | austin laurent | balanchine | ballet | benjamin millepied | brahms | brahms/handel | criticism | dance | dance writing | david prottas | georgina pazcoguin | gonzalo garcia | handel | henry seth | jared angle | jerome robbins | leonard bernstein | music | new york city ballet | new york city ballet reviews | opus 19/the dreamer | peter martins | prokofiev | rita moreno | sara mearns | saratoga performing arts center | sean suozzi | spac | stephen sondheim | tiler peck | twyla tharp | wendy whelan | west side story | west side story suite

Saturday’s Gala at the Saratoga Performing Arts Center had a relaxed, laid-back feel that matched the hot, humid evening, but the outdoor setting and sticky weather didn’t stop the crowds from dressing up for the occasion. Nor was the event lacking in star power: Rita Moreno, who played “Anita” in the film version of [...]

New York City Ballet - Bach to Glass: A Musical Odyssey II

2 and 3 part inventions | a suite of dances | adrian danchig-waring | akhnaten | alban berg | bach | bach to glass | ballet | baryshinkov | baryshnikov | charles askegard | choreography | criticism | dance | dance writing | facades | glass pieces | glassworks | in memory of | international | jacques moatti | jared angle | jerome robbins | maria kowroski | music | new york city ballet | nicolas le riche | nycb reviews | paris opera ballet | paul kolnik | philip glass | philip neal | photography | rebecca krohn | reviews | rubric | school of american ballet | tyler angle | wendy whelan | white oak dance project

NYCB dancers in the final pose from Robbins’ Glass Pieces, photo by Paul Kolnik Tuesday’s evenings program at New York City Ballet took the audience on a musical journey from Bach’s solo piano and solo cello pieces, to an early twentieth century violin concerto by Alban Berg, to Philip Glass’s minimalist music of the 1980s.  The [...]

New York City Ballet - Here and Now

adrian danchig-waring | alexei ratmansky | andrew veyette | ashley bouder | ask la cour | ballet | benjamin millepied | charles wuorinen | choreographers | christopher wheeldon | concerto dsch | contemporary dance | dance | georgina pazcoguin | giovanni villalobos | gonzalo garcia | here and now | jared angle | joaquin de luz | maria kowroski | mauro bigonzetti | music | new york city ballet | nycb | oltremare | peter martins | reviews | river of light | robert fairchild | rococo variations | russian seasons | sara mearns | savannah lowery | shostakovich | sterling hyltin | teresa reichlen | tyler angle | wendy whelan

Christopher Wheeldon’s Rococo Variations - photo by Paul Kolnik “Here and Now” was a fitting title for a program that featured four contemporary works - the oldest premiered in 1998 - by some of the most sought-after choreographers in ballet today. But I was swept far away from the here and the now, traveling to [...]

New York City Ballet - Baroque to Jazz: A Musical Odyssey

adrian danchig-waring | amar ramasar | articles | ashley bouder | bach | ballet | baroque to jazz | ben shahn | brandenburg | charles askegard | chopin | craig hall | dance | georgina pazcoguin | gonzalo garcia | in the night | janie taylor | jared angle | jerome robbins | megan fairchild | music | new york city ballet | ny export: opus jazz | nycb reviews | philip neal | piano | rachel rutherford | rebecca krohn | reviews | robert prince | sara mearns | sean suozzi | tyler angle | wendy whelan | west side story

Rachel Rutherford and Craig Hall in N.Y. Export: Opus Jazz, photo by Paul Kolnik The Jerome Robbins Celebration is well underway at NYCB, now in its fourth week of the spring season.  Although I’ve already seen several Robbins ballets since the start of the season, Wednesday evening’s “Baroque to Jazz” program was the first one that [...]

New York City Ballet - Symphonic Balanchine

abi stafford | adam hendrickson | adrian danchig-waring | albert evans | allegra kent | ballet | ballet review | bizet | charles askegard | damian woetzel | dance | daniel ulbricht | george balanchine | hershy kay | jonathan stafford | kathryn morgan | music | new york city | new york city ballet | nycb | peter martins | reviews | sara mearns | savannah lowery | sterling hyltin | stravinsky | symphony in c | symphony in three movements | teresa reichlen | wendy whelan | western symphony

There was definitely a beginning-of-the-season buzz in the air at the NY State Theater on Wednesday night. I heard plenty of snippets of gossip about dancers, and just as many opinions about their dancing. But the mood shifted ever so subtly when Peter Martins came on stage before the performance began. He [...]

All-American and Not a Tutu in Sight

adrian danchig-waring | andrew veyette | charles askegard | charles ives | dance | david prottas | faye arthurs | georgina pazcoguin | gretchen smith | ives songs | jared angle | jerome robbins | justin peck | kathryn morgan | leonard bernstein | music | new york city ballet | peter martins | photography | reviews | richard rogers | robert fairchild | robert lafosse | thou swell | wendy whelan | west side story | west side story suite

American Songs and Dances is a fitting title for the New York City Ballet program I saw on Wednesday night, which included Thou Swell, Ives, Songs, and West Side Story Suite. These are all period pieces, occurring at a specific time and place in America - and all (refreshingly) without tutus. Peter Martins’ [...]

(Heartbreaking) Matters of the Heart

adrian danchig-waring | ashley bouder | balanchine | benjamin millepied | christopher wheeldon | dance | daniel ulbricht | darci kistler | davidsbundlertanze | megan fairchild | music | new york city ballet | raymonda variations | reviews | sara mearns | sean suozzi | the nightingale and the rose | the steadfast tin soldier | wendy whelan

The quadruple-bill “Matters of the Heart” program at New York City Ballet was definitely worth seeing, just maybe not on Valentine’s Day. Three out of the four ballets ended with heartbreak, death, or loss (or all of the above), the exception being the story-less Raymonda Variations. Maybe Peter Martins should have thought that [...]

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